Yevgeny Kutik’s Washington Performing Arts concert is mentioned in The Washington Post. Read here
“Music is meant to be shared, Kutik said, explaining that playing for an audience is ‘where music starts. In that moment you start something that can never be replicated again. It’s a very communal affair.'” Read the full article here
“Although Prokofiev placed enormous technical demands on the solo violin part, in Kutik’s hands the impression was one of mature artistry and subtle lyricism…What I found most impressive about Kutik’s playing was the elegance of his tone, which soared above the orchestra without becoming too steely or harsh.” Read the full review here
In The Spotlight: Violinist Yevgeny Kutik and the Tallahassee Symphony. Watch here
“Known for his lush, Old World tone coupled with what The New York Times called ‘razor sharp technique,’ Kutik has recorded four acclaimed albums and is widely sought after on concert stages worldwide.” Read the full article
WPR’s The Midday host Norman welcomes violinist Yevgeny Kutik and pianist Christopher Taylor to the WPR performance studio in Madison. Listen to the interview/performance here.
“[Yevgeny Kutik] seemed to feel the music in his bones. Well-backed by the orchestra, he brought lyrical warmth to the neo-romanticism of the first two movements and flew through the perpetual-motion finale with nimble fingers and variety of effect. The large audience rewarded him with an enthusiastic ovation.” Read the full review here.
Yevgeny writes about the Glazunov Violin Concerto for Strings Magazine‘s August issue.
Yevgeny Kutik is featured in American Jewish World. Read the feature here.
“Without a doubt, the highlight of the concert was an absolutely stunning performance of Max Bruch’s “Scottish Fantasy, Op. 46″ by violinist Yevgeny Kutik.” Read the full review here.
Yevgeny is featured in the winter issue of Steinway & Sons’ Listen Magazine. Read the article here.
Violinist Kutik dazzles DSSO audience: “Kutik was a big hit with not only the audience but the orchestra. While he embraced conductor Dirk Meyer, a sizeable segment of the string section put down their instruments to applaud with both hands.” Read the full review here.
The Boston Globe selects Yevgeny’s album Words Fail for its Best Of 2016 List. “… a recital whose ambitious conception is matched by the precision and intensity of Kutik’s playing.” Read the full article.